In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.

Régine Bouet
Gossette

Maurice Schutz
Comte de Savières

Jean-David Évremond
Robert de Tayrac

Monique Chrysès
Madame Dornay

Madeleine Guitty
Madame Bonnefoy

Jeanne Brindeau
Comtesse de Savières

Jean d'Yd
Maître Varadès

Mario Nasthasio
Andriano

Paul Menant
Chauffeur

Georges Charlia
Philippe de Savières

Für immer Freibad
Für immer Freibad

The Beach
The Beach

Or (My Treasure)
Or (My Treasure)

Away from Her
Away from Her

Silent Barricade
Silent Barricade

Swept from the Sea
Swept from the Sea

Ask the Dust
Ask the Dust

1984
1984

September 11
September 11

Gentlemen Prefer Nature Girls
Gentlemen Prefer Nature Girls

Passion Fever
Passion Fever

The Last Mistress
The Last Mistress