The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
Jewelle Gomez
Narrator
Chris Albertson
Himself
Brian Keizer
Himself
Linda Tillery
Herself

The Circle
The Circle

To Be a Bruja
To Be a Bruja

The Last Repair Shop
The Last Repair Shop

Rebel Dykes
Rebel Dykes

Hedwig and the Angry Inch
Hedwig and the Angry Inch

Margaret Kilgallen: Heroines
Margaret Kilgallen: Heroines

The Best Friend
The Best Friend

Standing on the Line
Standing on the Line

The Boy Who Found Gold
The Boy Who Found Gold

Hello Again
Hello Again

I Am FEMEN
I Am FEMEN

The Other 300: Army of Lovers
The Other 300: Army of Lovers