In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

Christopher Hitchens
Self

His Name Was Jason: 30 Years of Friday the 13th
His Name Was Jason: 30 Years of Friday the 13th

In the Lost City
In the Lost City

Tabloid Workers
Tabloid Workers

F@ck This Job
F@ck This Job

I’m Not a Slut, I’m a Journalist
I’m Not a Slut, I’m a Journalist

Outfoxed: Rupert Murdoch's War on Journalism
Outfoxed: Rupert Murdoch's War on Journalism

CORONA.FILM - Prologue
CORONA.FILM - Prologue

It's Hard Being Loved by Jerks
It's Hard Being Loved by Jerks

Riverboom
Riverboom

Relatively Free
Relatively Free

Uncensored Women
Uncensored Women

Emmanuelle in Ontario
Emmanuelle in Ontario