
Ludwig van Beethoven headed for Symphony No. 9 literally his entire life. As early as the 1790s, he had an eye on Ode to Joy, perhaps the most well-known poem by Friedrich Schiller, written on the threshold of the French Revolution (1786). In his mature and, in particular, later years, the deaf composer with an acute ‘hearing vision’ increasingly distanced himself from conventional forms and genres and wrote parts beyond the possibilities of instruments of his day. He nurtured the idea of a symphony with a choir for at least several years. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra, choir, and guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.

Teodor Currentzis
Self – Conductor
musicAeterna
Self – Orchestra / Choir

Birgitte Christensen
Self – Soprano

Sophie Harmsen
Self – Mezzo-soprano

Benjamin Bruns
Self – Tenor

Johannes Kammler
Self – Baritone

Die Deutschmeister
Die Deutschmeister

Ludwig van Beethoven: Fidelio
Ludwig van Beethoven: Fidelio

Cha-Cha-Cha
Cha-Cha-Cha

The Planets
The Planets

Mit Liv er Musik
Mit Liv er Musik

Phantom of the Paradise
Phantom of the Paradise

Alphaville - Little America
Alphaville - Little America

The Crazy Comedy Concert
The Crazy Comedy Concert

Solti: The Making of a Maestro
Solti: The Making of a Maestro

The Music of Kander & Ebb: Razzle Dazzle
The Music of Kander & Ebb: Razzle Dazzle

Allegro non troppo
Allegro non troppo
Beethovenova 9. symfonie – Koncert pro EU
Beethovenova 9. symfonie – Koncert pro EU