
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.

Gabino Rodríguez
Hombre con peluca / Narrador
Luisa Pardo
Mujer en cuarto de hotel / Mujer con peluca

Francisco Barreiro
Hombre a quien le roban la motocicleta
José Rodríguez López
Hombre que maneja camioneta roja

Teresa Sánchez
Mujer que atiende en el bar

Fernando Álvarez Rebeil
Hijo del dueño de la mina / Ladrón de motocicleta

Sacred Heart: His Reign Has No End
Sacred Heart: His Reign Has No End

Apart from Everything
Apart from Everything

Bestiary
Bestiary

The Tickle King
The Tickle King

Reklaw
Reklaw

Chris on Chris
Chris on Chris

Basorexia
Basorexia
Might
Might

Meine Eltern wollen sich trennen
Meine Eltern wollen sich trennen

The Boy, the Mole, the Fox and the Horse
The Boy, the Mole, the Fox and the Horse

Night Session
Night Session

Fear
Fear